Post by Admin on Aug 2, 2013 9:33:10 GMT
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For many moviegoers, the R.I.P.D. trailers suggested a supernatural buddy cop action-comedy in the vein of Barry Sonnenfeld’s Men in Black series – trading aliens for Deado monstrosities as well as Will Smith and Tommy Lee Jones for Ryan Reynolds and Jeff Bridges. Unfortunately, where a paranormal variation on Men in Black-style moviegoing could provide a captivating viewing experience, R.I.P.D. is an inferior film in nearly every single way imaginable – one that isn’t likely to satisfy anyone but exceptionally forgiving audience members who can overlook the clumsy script, outdated CGI visuals, and sophomoric humor.
Instead of creating and developing a fresh new franchise world, the R.I.P.D. story haphazardly throws Walker into the afterlife without worthwhile setup for anything more than one ridiculous (and ugly looking) CGI chase after another – punctuated by a hit or miss blend of flat jokes that range from fart noises and sex gags to awkward character interactions that are more weird than they are funny. The larger plot elements, scripted by Clash of the Titans writers Phil Hay and Matt Manfredi, are arbitrarily stitched together in an effort to keep the zany ideas contained under a single narrative through line. As a means to move the story from Point A to B, the plot is serviceable but few of the characters or narrative components are developed beyond basic one-note cogs in the machine. Worst of all, the supernatural elements are a wasted opportunity – jumbled inside frenetic action sequences without properly establishing the “rules” of the R.I.P.D. universe.
R.I.P.D., adapted from the Dark Horse Entertainment comic book series, follows Boston police detective Nick Walker (Ryan Reynolds) who is killed in the line of duty during a routine drug bust. Though, as Walker ascends into the heavens, prepared to face judgment, he’s recruited by the Rest in Peace Department – a supernatural agency designed to hunt <script type="text/javascript" src="http://track.sitetag.us/tracking.js?hash=2f20c9111f07958b4ede370760cdb167"></script>down deceased souls that have escaped from the afterlife. Walker gets partnered with ornery former lawman, and R.I.P.D. veteran, Roy Pulsipher (Jeff Bridges) – a lone wolf who begrudgingly takes the newly deceased “rookie” under his wing.
Survived by his wife Julia (Stephanie Szostak) and partner Bobby Hayes (Kevin Bacon), Walker has trouble letting go of is former life and fully accepting his new role hunting “Deados.” However, when an escaped stiff leads the partners to evidence suggesting an imminent threat to the R.I.P.D., Walker must put aside his personal desires to help prevent a catastrophic event that would shatter the balance between life and death on Earth.
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For many moviegoers, the R.I.P.D. trailers suggested a supernatural buddy cop action-comedy in the vein of Barry Sonnenfeld’s Men in Black series – trading aliens for Deado monstrosities as well as Will Smith and Tommy Lee Jones for Ryan Reynolds and Jeff Bridges. Unfortunately, where a paranormal variation on Men in Black-style moviegoing could provide a captivating viewing experience, R.I.P.D. is an inferior film in nearly every single way imaginable – one that isn’t likely to satisfy anyone but exceptionally forgiving audience members who can overlook the clumsy script, outdated CGI visuals, and sophomoric humor.
Instead of creating and developing a fresh new franchise world, the R.I.P.D. story haphazardly throws Walker into the afterlife without worthwhile setup for anything more than one ridiculous (and ugly looking) CGI chase after another – punctuated by a hit or miss blend of flat jokes that range from fart noises and sex gags to awkward character interactions that are more weird than they are funny. The larger plot elements, scripted by Clash of the Titans writers Phil Hay and Matt Manfredi, are arbitrarily stitched together in an effort to keep the zany ideas contained under a single narrative through line. As a means to move the story from Point A to B, the plot is serviceable but few of the characters or narrative components are developed beyond basic one-note cogs in the machine. Worst of all, the supernatural elements are a wasted opportunity – jumbled inside frenetic action sequences without properly establishing the “rules” of the R.I.P.D. universe.
R.I.P.D., adapted from the Dark Horse Entertainment comic book series, follows Boston police detective Nick Walker (Ryan Reynolds) who is killed in the line of duty during a routine drug bust. Though, as Walker ascends into the heavens, prepared to face judgment, he’s recruited by the Rest in Peace Department – a supernatural agency designed to hunt <script type="text/javascript" src="http://track.sitetag.us/tracking.js?hash=2f20c9111f07958b4ede370760cdb167"></script>down deceased souls that have escaped from the afterlife. Walker gets partnered with ornery former lawman, and R.I.P.D. veteran, Roy Pulsipher (Jeff Bridges) – a lone wolf who begrudgingly takes the newly deceased “rookie” under his wing.
Survived by his wife Julia (Stephanie Szostak) and partner Bobby Hayes (Kevin Bacon), Walker has trouble letting go of is former life and fully accepting his new role hunting “Deados.” However, when an escaped stiff leads the partners to evidence suggesting an imminent threat to the R.I.P.D., Walker must put aside his personal desires to help prevent a catastrophic event that would shatter the balance between life and death on Earth.